Graph Of The Heart
When Graham died last week at 96, the American theater lost one of the leading revolutionaries of this century. Her great insight–“Movement never lies”–fueled an approach to dance that made classicists shudder at first, for it did away with the graceful illusions of ballet. Graham had no interest in ballet’s “let’s pretend”: dancing on one’s toes, denying gravity, forever working to surpass the merely physical. She pulled the art of dance right down to the floor, which was where her classes began....